Mapping your path

In celebration of the 106th birthday of New York Cities subway system, The New York Times posted a great interactive website that asks people to create their own maps of how they get around using the Subway system. Above, Milton Glaser's own "mental map" of NYC.

Vendor Power!

Vendor Power!
Center for Urban Pedagogy
Urban Omnibus

EXYZT Presents Situation Room

Storefront for Art and Architecture
EXYZT presents Situation Room
Feb 20 2009 - Mar 31 2009

" The architecture .../... will be a means of modifying present conceptions of time and space... It will be a means of knowledge and a means of actions."
Gilles Ivain alias Ivan Chtcheglov, 1958

We will act to defend architecture that is plural, used, complex, diverse, real and alive; architecture that is about action and interaction, formation and deformation, transormation and appropriation.

Situation Room as playground for [re] creation, collective action, active occupation, open demonstration, and social games will be intuitive, interactive and collective performance, showing an everyday life tools and knowledge Directory. For architecture of process, of fabrication, reaction and interaction, members of Exyzt will inhabit the gallery space, making use of the furnishings as though it were a domestic space.

More than showing past projects, we choose to set up a platform for creation and solidarity inviting people to transform the classic use of the gallery, to experiment diversity of programs and activities with basic cheap materials as moving boxes activated with the Storefront staff.

We propose a platform for action, defending an architecture that is alive. EXYZT shakes up the idea of architecture as an independent field. Working on experimental projects, EXYZT invites architecture, video, graphic-design, botany and any other concept to become devices of expression and creation.

Like a series of disparate notes, ready-to-assemble elements will be put together in situ to create this modular, domestic place, rapidly assembled viral constructions that can be implemented to create and augment a social space. Little by little, each limb of this strange apartment will grow new functions, allowing its users to do more and more things, to occupy and work in its ever-changing space. After the basic living space has been assembled an essential urban infrastructure will be added: water, electricity, radio, TV, Internet, etc... Once complete, a vast variety of individual modules will occupy the gallery space to be used for a moment, a day, or a whole night. Lightness, speed and flexibility will be essential ingredients of the Set-up.

The collective carries out temporary setups. Each project is in line with precise and determined time and special frame. The units can be shaped and rearranged to become a living and sitting space, a workspace equipped with a desk, computers and tools, or a dining room, among other forms. From week to week the space will evolve, taking on different ephemeral forms and functions with the public. The situation becomes the physical medium through which a creative and collective game is expressed. The series of projects questions the relationship between public and private and encourages the audience to move from being a spectator to be an actor too.

Exyzt invites the audience to reconsider occupied areas in a well-defined time-frame. The collective conceive and organize each project as a ludic playground where cultural behaviours and shared stories relate, mix and mingle.

Created in 2003 on the initiative of five architects, they produced and organized a first self-construction and self-documented project on a abandoned plot of land in Parc de la Villette, in Paris. By opening up to various fields, the collective group attempts to render architecture into a different perspective.

Our team is now a community of people who have chosen to act under the same principle of sharing knowledge and abilities, imagining the environment as the terrain of a participatory game, a site for play and appropriation, creating 'transient micro ambiances' as Guy Debord described the constucted situation.

Construction will constitute the first movement. Act!

Text by Philippe Rizzotti & Dimitri Messu

The Green Zone

The New Green Zone, Baghdad, Iraq.

from The Guardian:

"The US military released the first tentative artists' impression yesterday. An army source said the barbed wire, concrete blast barriers and checkpoints that currently disfigure the 5 sq mile area would be replaced by shopping malls, hotels, elegant apartment blocks and leisure parks."

"American officials stress that final decisions about reconstruction and development rest with the Iraqi government. Karnowski added that as well as the benefits of renovating and demilitarising an important area of Baghdad, the blueprint would help to create a "zone of influence" around the massive new US Embassy compound being built on the eastern tip of the Green Zone. The $1bn project to move the embassy from Saddam's old presidential palace is planned for completion later this year."

Google's Power Meter

Kicking the smart grid into motion perhaps is the doing of Google, which introduced new software service online that helps homeowners track their energy use. This requires additional hardware that would plug into your main circuit breaker and would "talk" with your computer, downloading your energy patterns. The Google platform would then map it, graphically showing your energy use...thus prompting many to limit and adjust their use...saving money and surges on our energy grid. Google foresees implementing this into a social network interface...your daily energy use on facebook anyone?


related articles:
New York Times
Bits

Grounds for Free Speech

image credits: Thailand's Suvarnabhumi International Airport + the Acropolis of Greece

Recent news headlines have been displaying images of public spaces in connection with locally occurring protests. In Thailand, its the Democratic Alliance Against Dictatorship protesting Mr Somchai's People Power Party, locating themselves finally in both airports Bangkok, disrupting travel amoung other things. In Athens Greece, protesters asking for mass protests across Europe in responce to a local teenager shot by police, unvail banners on the walls of the Acropolis.

These are peaceful acts of communicating distaste for local governments, inaction by governing bodies. People are coming together to show and express their opionions. These acts culimate in public places, national/city gathering grounds. Space to express, to rally...and to disrupt.

These two examples highlight the changing arena of our new grounds for free speech. They are not sites of governmental policy making, not capital steps, houses of parliments... They are very visual public spaces...and most interestingly they are sites of international attention, places of high tourism and visability.

They are globalized sites. Local displeasing actions are now fed directing into global conversation. Using sites of recongnition (airports, monuments) that identify nationality (who and where it is) or homogenity (could be anywhere).

Mapping "Real" America

image link

In this time of heightened political commentary, I never expected it to enter into a blog concerned with urban design. But as we have all come to understand, all things are political. So, it is of great interest to me hearing the Republican vice presidential candidate, Sarah Palin's comments regarding a "real America." And, daring to take it seriously, ask, what is and where is this "real America"


















here is one patch of it


In scouring the internet, I could find no "list" of Palin's speaking engagements, in seeking a literal "road map" of her "real america." The attached images are mostly cartoon satires, but, help to illustrate my inquiry.

What is this conceptual landscape of "real America?" Who or what makes up this identification? Is it based on location? urban form? density? can it be defined architecturally? Or is it census based: education, ethnicity, age, economic tier, religion...?

What images come up for us with the comment of "real America?" With red and blue states, how deep is our identification of the (new?) political landscape of the USA?

Is this "real America" an imaginary (virtual) reality?















image link

Media and the automobile

Identity, expression, advertisement, protest, exclamation.
The auto has vehicle for thought.

How does the automobile allow for self expression and how much of it is determined upon the this ears model designer? What sort of information is placed upon the automobile for expression? What is being told, sold, expressed, questioned?

Bumper sticker, graffiti, advertisements, tribute, initials, love relationships, anger, humor, ownership, phone number, cleanliness, additions/alterations, color, lights, sound, tinted windows.

Sidewalk Media

Sidewalk media. In places like NY where most people walk, the form of media changes from the now typical American format of billboards to newspapers stands and phone booth structures. The traffic is on the sidewalks as well as the streets. Any attempt at locating media for attention is grabbed. The antiquated phone booth has evolved into simply a profitable sidewalk billboard.

http://www.nytimes.com/2007/08/17/nyregion/17phones.html
The above article describes how the phone booths are profitable not in their use as a public phone but as a billboard for advertising. In a world of cellphones, the need for phone booths are small.

The location of such advertising is restricted to free standing units, not those next to a building. But what is the sidewalks use for advertising? What is the history of street scape as a commercial act and how does this evolve in the age of personal digital communications?

What is the future of media and the street? Who will have access and who won't. Is it a matter of public agency?